待绽蔷薇

每当看到梅丽莎的时候，我都会心里抽一下，可能有些时候当我们歇斯底里的时候，就是这个样子吧，但是还好，我们并不一直都是梅丽莎——不想付出努力，又觉得生活对自己不公平，内心焦躁不安.希望像女主一样活的坦坦荡荡.其实感觉珍心里把老婆婆当做自己的母亲的成分了，一个是失去了家人的理解和支持，一个是失去了家人的陪伴，两个孤独的灵魂相互依赖，似母女更是朋友.老婆婆相对来说比较内敛，最戳我的是老婆婆欲言又止，在哪里嗯嗯嗯……的时候，珍在哪里跟着嗯嗯嗯……，然后两个人互相看着对方的眼睛笑起来！！！！

太戳我了，这不就是理想的友情吗？

你什么都不用说，我都明白，也知道怎么和你交流，啊啊啊……而且老婆婆在星儿丢了的时候，挨家挨户问完，自己一个人走在马路上，嚎啕大哭说着怎么办的时候，还有在后来珍回来，老婆婆说再见的时候，我心都要痛死了！！！！！

哭的稀里哗啦！

而且标的是色情，但是只不过是一个矛盾点而已，还是温情向多一点！

哈哈，给贝克导演这个昵称应该没人反对吧。

夕阳是他电影中常出现的一个意象，Starlet里面应该是最多的了。

对于实景拍摄，自然光，夕阳似乎有种魔力，让人会变得温暖失去棱角，但是又会很清楚它的短暂与不可抗拒。

最为全片最重要的一幕，夕阳之下，女主头发散开，似乎伴随夕阳风起来了，但是一切又是那么温暖，感觉不到即将来临的夜。

色调对应了第一幕，女主不堪的房间的黄色墙壁，女主已经从一个局促而且没有自由的环境变成了有自我的面部特写，尤其注意头发的散乱（女主的职业需求是要求拍摄过程中不能头发遮住脸），所以结尾女主完成了部分的自我身份的回归，也暗示着她女儿角色的被认可（女主也将老太太视为了自己的母亲——母亲不来乘坐的机票，老太太来了）；当然最后一场戏，也让观众终于理解老太太所有的行为动机了，不过夕阳虽美好，留给她的时间还多吗？

女主虽然搬出了两室出租屋，却走进了个混杂出租屋（老板也在不久会让她去整形，对于女主，这个行业也是她的夕阳，并没有多少希望）。

这部电影应该是Sean Baker最不现实主义的一部了，我这里说的现实主义是指，它给了暖意，如同贝克其它电影一样，他关注同情弱势群体，但是最后还是会很理性地回归批判，让观众知道这个世界的残忍真实；可是Starlet却是美好的结束，一种东方式的互相依存，看破不说破，在暧昧朦胧的光阴中享受最后的余晖。

时隔4年，闺蜜截图说，下午她看这部片子的时候，发现2013年6月6日我看过这部片子，写了当时那样的一段短语，不禁惊叹时间过的好快，那个时候的自己无敌的无忧无虑，会写下那样的话。

现在再看过第一反应会想说，不要和有不良嗜好，不思进取的人做朋友，也想说在帮助值得帮助的人的时候，也是在帮助自己。

很喜欢这部片子和Dree 转载访谈，帮助理解片子台前幕后，没看错av场面果然是替身然后剪得真不错。

好有趣的制作过程耶，原来去参加色情业展会是真的，使用隐藏拍摄，很多人以为女主就是pornstar然后各种 哈哈，不过no judgement也是棒棒哒。

dree也聊到很多关于自己家族的事情，喜欢她的低调单纯，而且做出了一部好片子，这是我看她的第一部，很偶然找到的。

翻译就不做了，我觉得最直接的理解是看原文，给几个关键词，有兴趣的自己理解。

body double 替身；improvisational 即兴的；scatterbrained注意力不集中The young actress talks to THR about her burgeoning acting career as well as how she copes with bearing the last name of one of the world's most famed writers.正文As much as she'd probably like to avoid it, the first line in Dree Hemingway's biography probably would note that she is the great-granddaughter of famed writer Ernest Hemingway and the daughter of actress Mariel Hemingway. But with a few more movies like Starlet, her first leading feature role, that just might change.Hemingway, 25, plays Jane, a flighty, listless woman in her early 20s living in Los Angeles with her friend and the friend's boyfriend. She flits about through her days, smoking weed and shopping and taking her Chihuahua wherever she goes. She might seem like a low-rent Paris Hilton, but she has more depth than it appears at first glance.Film Review: StarletWhen she buys a thermos for a dollar at a yard sale from an old woman, she finds $10,000 rolled up inside. After trying to return the thermos to the cantankerous octogenarian, who refuses, she decides to at least befriend the lonely widow, Sadie. This is easier said than done, though the two eventually form an odd relationship. It is one built partially on lies; Jane doesn't tell Sadie about the money, or the fact that she works as a porn actress -- something kept from the audience through much of the movie, as well.THR recently spoke to Hemingway about the film and her famous bloodlines.The Hollywood Reporter: What happened in your interview with director Sean Baker?Dree Hemingway: I’m so passionate about this character, but a lot of it was how I perceived her and who I thought she was and to clarify if I’d do the porn scene. And really wanting to assure me that they’d use a body double and just wanting to make sure I’d be comfortable with the whole situation. And everything he was saying about the character was something I had thought of, and there were things that I wanted to bring, and it was really nice. And what really hooked it was the communication between us.THR: So you weren’t uncomfortable with the porn thing?Hemingway: I mean, it freaked me out, I’m not going to lie. I think I was so passionate about the whole story that it’s kind of something that it needed. It freaked me out, but also knowing that it wasn’t me was kind of OK for me -- although I’m not in denial that people are going to think it’s me because a lot of people don’t watch the end credits, and it’s really well cut. But as much as it scares me, and is such a scary thing to do, it’s such a neat film that I think that one ending scene is kind of the most perfect ending for any movie, and I just love it. … I’m not a huge fan of porn, but I really wanted to embrace the world from a different perspective, where it’s not a tragedy, it’s not coming from a tragic place.VIDEO: Starlet TrailerTHR: How much of the film was improv?Hemingway: Most of it was improvisational, to be honest. It was like, we were given some lines, and you always had to know where you were going to end up in the scene, but a lot of it was improvisational. A lot of it was scary in a way that you can’t really craft. But it’s actually one of the most fun things I’ve ever done. You really have to be present in the situation that you’re in because a lot of time you were working with real people, who didn’t know until they were done working with us that they were on film and working with actors.THR: Which points were that?Hemingway: The whole entire porn convention. We had a hidden camera. I had a hidden mic. People thought I was a real porn star at a real booth. All those people talking to me.THR: So they were just big porn enthusiasts.Hemingway: They all kept coming up to me and saying: “I really love your movies. I want to work with you.” And I was like, 'Let’s go!' It’s so weird and crazy. And all those people playing bingo, we just stood in the bingo hall.THR: Was anyone upset about being caught on camera?Hemingway: A lot of people at the porn convention were really upset that they were on camera. Some of them were like parents, and some of these guys were like, “I’m a schoolteacher.” And you’re like, OK. … But the thing is, there is no judgment on them because they are just the ones that have the balls to get their asses off the computer and go to an actual porn convention. Which I have to say is kind of hilarious and really fun.THR: Really?Hemingway: Yeah. It’s an adult amusement park.THR: It’s like a Comic-Con but for porn.Hemingway: Exactly! It’s just like Comic-Con. You get some whacked, crazy people, but it’s so much fun. I think if you come to it from a point of not taking it seriously -- a lot of these people go, and they’re there to see one porn star whom they’re obsessed with -- but if that’s not your basis, it is a fun time. It’s hilarious.THR: What would you do if you found that money, in that situation?Hemingway: Oh, I’m such a guilty person, I’d totally give it back.THR: No hesitation?Hemingway: I mean obviously, I think that part of me would want to keep it in a way because it’d be like, oh I found it, and it’s -- what is that saying? Finder's keepers? But no, even if I’d try to do that, I’m too guilty. I remember when I was 14, I stole a little bracelet from a vendor, like an outside cart vendor, it was me being rebellious, and I had a lot of friends who loved to steal ChapSticks and little things, and so it was me trying to include myself in the situation. So I stole this bracelet. And I had it for a full day, but I couldn’t wear it because I felt so guilty. So when I wasn’t with my friends, I went and brought it back.THR: So you are Ernest Hemingway’s great-granddaughter? Did you ever feel pressure to be a writer?Hemingway: I would never write, ever. I might as well exile myself.THR: Why?Hemingway: Because it’s like, if I were related to Monet, I don’t know if I would be comfortable becoming an artist because it’s too much, the comparison. If I wrote a book and put it out, the comparison to my great-grandfather, the comparison would be hilarious. Every critic, it would be their dream, they’d tear me apart. I’m just not a confident writer, either. I feel like I can’t make sense of things in a way. I’m so scatterbrained when I write.THR: Do people ask you to?Hemingway: People ask me all the time. And my mother is an actress, and my aunt Margaux was a model. And it’s funny, as much as I’m all about I’m my own person, and I’m making my own name for myself, I have grown up in a world where most of these people who are like me are children of famous parents. So it’s easy to become the socialite and be famous for that. But my whole thing was, as much as I was inspired by what my parents do, and growing up on film sets, watching that made me really want to do that. I am my own person, and I think that the only thing with the Hemingway name is that it has gotten me in the door. But once you’re in there, I know I’m under a huge microscope, and everything you do, people are going through it with a fine-toothed comb and picking at you.So it’s great, it gets you in there, but once you do, you’ve got to f---ing prove yourself. The modeling, I think it’s different because they don’t give a f---, it’s harder to get in there with a name already, and I think I had to prove myself, and it didn’t matter who I was. But I don’t feel like I’m competing against anything in my family; I’m so honored to be a part of it, but I also know I am my own self, and I’m not riding anyone’s coattails because I know I really worked for something.

Jane有一只叫Starlet的吉娃娃狗，是从事色情行业的人，和Melissa、她的男朋友住在一起，房租一个人承担，还经常借钱给Melissa，一起吸毒。

一次偶然，Jane 发现了买的热水瓶里有1万块钱，经过一阵挥霍后，她打算把钱换回去，但遭到Sadie的拒绝。

经过一系列努力，她终于和Sadie成为了朋友。

Jane是一个善良的人，她从救助站收养了小狗，帮室友交房租，替Melissa向老板求情。

她对于意外之财，一开始的心态和绝大多数人的一样---占为己有。

但是挥霍之后，她受到良心的谴责，只好帮助孤寡老人Sadie。

就在她觉得就要弥补错误后，她的狗急跳墙的朋友向老人告密了。

老人经过挣扎后，决定含蓄地告诉Jane她已经知道钱丢的事。

想必他们会有一个愉快的假期。

Sadie在丈夫去世后，独自生活了40年。

他丈夫在世是是职业赌徒，而且是一个good one,赢了很多钱，但是Sadie从来没去过巴黎。

她的花园有很多花，但是有一种荒草丛生的感觉，就像年老的Sadie一样，活一天过一天，她已经没有太多精力去整理花园了。

吉娃娃走失后，Sadie满大街步履蹒跚地哭着找它，是因为她害怕再次失去亲人。

她披头散发抱着小狗坐在门口，冲着 Jane重复喊道：“I just can not handle this anymore！

”Jane 终于熬不住，买了去巴黎的机票，想圆了老人的梦想，一切顺利进行，可是她的坑爹的室友因为没把钱花在她身上，告密了。

结尾意味深长：1.独居40年；2.18岁的女儿先与丈夫去世；3、我把你当作我的女儿，你犯的错我可以原谅；4、谢谢你.最后说一下那个二逼室友Melissa,不服从老板安排，私自接活，吸毒过量，男朋友把她当作赚钱的工具，在发现Jane的钱后，暗示她要把钱花在她身上。

在发现Jane买机票要陪老人去巴黎后，她的好吃懒做的德性暴露无遗。

她毫无顾忌以前Jane的帮助，向老人揭穿了她。

人生在世，谁没遇到过几个人渣室友！！！

一个女优一个寡妇我缺少母爱，我母爱泛滥，这部片子在描写两个孤独的种群，他们寂寞，想要爱，女优的生活不像我所想象的，应该是比较真实的情形，我非常赞同导演每次为电影选主角背景的时候都会关心一下我们正常人从未接触过的边缘神秘人士，中间有一段拍摄黄色电影的片段，我觉得如果我的电影能借鉴一下这种透过真实屏幕所呈现的画面时是非常精彩的，寡妇的日子不好过，中间有一段她找狗的片段，我觉得那一段可以非常准确的突出寡妇当时的心境，对女优也好，对她所认同的世界也好，那是一颗敏感脆弱的心，和圣殇里假扮的母亲不一样，她们虽然都是怀有一颗急于坦诚却时时刻刻去隐藏真相的心，整部片子说实话作为短片的话会非常不错，但是90分钟还是有些漫长，本片最好的镜头除了寡妇在街上找狗，两个人坐在广场（旁边有好多高大的电线杆），在那个废弃的公园，那是记忆的深处，忘记在脑海我来付钱吧，我的钱花不完，记得给你说过我JACK是一个赌徒吗，他赌的不赖。

我愿世界和平

我的评分：7.2影评：女孩小美，从事着拍小电影的工作。

一天买到一个旧暖瓶，没想到里边有1万美金，对于她来说是很大的财富，但是她的心有不安，想着钱的主人，如果很有钱就算了，如果很穷的话，这个钱对他来说太珍贵了。

她找到了卖旧暖瓶的那个老太太，然后陪着老太太玩儿，想探究老太太的生活，最终融入老太太的生活。

老太太从开始的抗拒到后来的接受。

影片最后，老太太带小美来到他丈夫的墓前，小美看到墓碑旁边有个18岁女儿的墓，在那之前她们聊天中从来不知道老太太还有个女儿，她好像明白了什么可能。

这是一个开放性的结局，没有说明，小美是否把钱给老太太，但相信小美与老太太之间会有一段美好的友情。

早上起来，睁开双眼，阳光暖暖，微风吹动窗帘，珍在指尖点起一支烟，烟雾袅袅。

《待绽蔷薇》，又名《明日女优》。

淡黄色的画面，满是温情的味道，不知道你看到这部电影时是怎样一种感觉，我只是觉得很安静，就像清风抚平了心里的躁动，安安静静的抱着电脑坐在床上，没有喧闹没有烦闷。

珍是一个从事情色电影行业的年轻女孩子，不成名不富有，但也是不沉沦不放弃。

她对生活是有想法的，比如改造租住的房子，让其更贴近自己的风格。

我喜欢这样热爱生活的人。

这样的女孩子很有感觉，就算此时的她默默无闻，但是我相信她一定会有光芒万丈的未来。

故事的起始就是改造房间时购得的一个旧暖水瓶，珍说这会是一个很好的花瓶，其实这是一个很好的储钱罐吧！

里面装了一万美金。

天上掉馅饼，你怎么办？

走路捡到钱，你会还吗？

别说的大义凛然，也不要鄙视其他人拾金不昧，那都是个人品质，与己无关。

珍花了一部分，却发现自己并不能心安理得的享用这笔不义之财，于是她接近sadie，旧水瓶的旧主人。

对于突然出现在身边的人，我们会戒备。

这个老太太一直独居，这个女孩看起来居心不良。

两个人的相处充满试探，然后慢慢靠近，彼此接受。

我喜欢这个故事。

因为这个故事是温暖的。

人与人之间是可以有信任和真心的。

就算年龄是不可跨越的鸿沟，陌生的两代人也可以做彼此生命中的知己。

一起玩bingo,一起逛超市，一起去巴黎。

在草木繁茂的花园里，阳光明媚，岁月静好。

我们常常看见的忘年交都是在别人的故事里，你羡慕过吗？

以利相交，利尽则散；以势相交，势去则倾；以权相交，权失则弃；唯以心相交，方能成其久远。

这个世界上有太多凉薄了，而我一直相信的是，心脏是温暖的。

孤独的人们都不愿意让人发现自己的处境，封闭自己，独处孤寒。

珍惜岁月里路过我们的温暖，毕竟生命苦短。

这是一部相当温情的电影。

故事其实很简单，生活拮据的女主无意中从一位老人手里得到一笔一万美金的横财，她出于愧疚，便一步步介入老人的生活，企图抚平内心的矛盾。

影片最打动我的点是女主的职业（大家不要误会），作为一个AV女优，她所表现出来的人格特点其实跟其他人并没有什么两样，也可能是我本人对这一职业者的偏见（大家莫要见怪），导致了我对女主在影片中所表现出来的大众心理赶到十分意外，或者说是惊喜。

在这里不妨做一个大胆的猜想，倘若拿到这一万刀的人不是Jane，而是Melissa，那结果会如何？

相信看过电影的各位得到的答案跟我想的是一样的。

因此，在这里不得不说，女主让我深刻意识到，无论是哪一类职业，无论工作者的人格共性有多么不堪，但当中总会有那么一些人，抛开他们的职业不看，他们跟我们并没有任何区别，甚至比我们还要出色。

《待绽蔷薇》。

6分。

肖恩·贝克编剧、导演，德莉·海明威主演作品。

德莉·海明威出生于1987年，世界超模前50名，美貌和身材可见一斑。

不过更厉害的是，她是著名作家海明威的曾外孙女。

但最最厉害的是，这部片中，她竟然来真的……太可怕了。

德莉·海明威饰演的年轻少女简怀揣着演员的梦想，但名利场哪有那么好进，她最终为生活所迫，踏进了成人片场。

在租房的日子里，她偶然从热水瓶中倒出来一万美金，很显然这是房东自己都不知道的私房钱。

她拿了这笔钱后，又觉得愧疚不安，于是她想办法慢慢接近房东——一个行将就木的孤独老人。

故事其实很无聊。

但这个尺度，我是万万没想到。